Monograph

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The Music of Joseph Joachim (Boydell & Brewer, May 2018)

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Edited Volumes

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Joseph Joachim: Identities / Identitäten (Olms, undergoing final peer review)

With Co-Author Anna Celenza, Festschrift R. Larry Todd (Hollitzer Verlag, under contract)

Special Issue on Joseph Joachim. Nineteenth-Century Music Review (Cambridge University Press, 2021)

 

 

Articles 

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Of ‘Psychological Music’, Ciphers and Daguerreotypes: Joseph Joachim’s Abendglocken Op. 5 No. 2 (1853) Nineteenth-Century Music Review, 2015

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Rediscovering Joseph Joachim’s ‘Hungarian’ and ‘Irish’ [Scotch] Fantasies (The Musical Times, December 2017)

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 Uncovering a lost Beethoven Cadenza by Joachim, or, New Light on Joachim’s 1844 London Debut (The Musical Quarterly, March 2021).

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Uhde, Katharina, and R. Larry Todd. “Sonic Foundation-building, or, Fantasies of Freedom: Florence Price’s Two Violin Fantasies”. Journal of the Society for American Music (undergoing peer review)

 

Uhde, Katharina, “Joseph Joachim and the Violin Romance: Reforming the Playground of Virtuosos.” Nineteenth-Century Music Review (revise-resubmit)

 

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Encyclopedia Articles and Bibliographies

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Oxford Music Online (Joseph Joachim Catalogue of Works)

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Oxford Bibliographies - Joseph Joachim

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Editions

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Joseph Joachim, Fantasie über Ungarische Motive und Fantasie über Irische Motive für Violine und Orchester (Klavierauszug Martin Schelhaas). Kassel, Bärenreiter, 2018.

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Antonio Vivaldi: Concerto for Violin and Piano Op. 9, R348. New York: International Music Company, 2019.

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Jürgen Uhde, Streichquartett. GMG BW (Gesellschaft für Musikgeschichte in Baden-Württemberg)

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Chapters in edited volumes

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Katharina Uhde, “Joseph Joachim and the Aesthetic of Inwardness,” in The European Salon: Nineteenth-Century Salonmusik. Concepts and Contexts (Boydell & Brewer). (submitted September 2017).

 

Katharina Uhde and R. Larry Todd, “Joachim and Musical Solitude, or, the Beginnings of the Ciphers F-A-E and Gis-e-la” in Nineteenth-Century Programme Music, ed. Jonathan Kregor (Turnhout, Belgium: Brepols, 2017). (General editor: Roberto Illiano).

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Katharina Uhde, "Re-considering the Young Composer-Performer Joseph Joachim, 1841–53," in The Creative Worlds of Joseph Joachim, edited by Valerie Goertzen and Robert Eshbach (under contract with Boydell & Brewer, 2021)

 

Katharina Uhde and R. Larry Todd, "Contextualizing Clara Schumann's Romanzen", in Joe Davies, ed., Clara Schumann Studies for Cambridge University Press (2021).

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Katharina Uhde, "Reconsidering Joseph Joachim’s Formative Influence on Brahms, April-July 1853", in Rethinking Brahms, edited by Nicole Grimes and Reuben Phillips (Oxford University Press, 2022).

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Uhde, Katharina, “Becoming Joseph Joachim”, in The Music Performer's Lived Experiences, ed. Mine Dogantan Dack (Routledge, projected publication 2022)  

 

Uhde, Katharina, “Lived Performative Experience: The Shared Performative Spaces of Fanny Hensel and Felix Mendelssohn”, in Fanny Hensel and Felix Mendelssohn in Context, ed. Benedict Taylor (Cambridge University Press, projected publication 2023)  

 

Monographs Currently in Progress

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Co-authored with R. Larry Todd: Riddles in Sound: A Cultural history of the cipher in music. A book that traces the history of the musical cipher from J. S. Bach to the twenty-first century (in conversation with Boydell & Brewer)

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Current project: translation into German of my book The Music of Joseph Joachim

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Future Monograph Plans

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Mid-Nineteenth Century Music Aesthetics through the Lens of Artistic Research Philosophy.

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Bibliographic Research Guide on 19th-Century Performance Practice (in conversation with Routledge)

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Dissertation

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Dissertation (Duke, 2014). Psychologische Musik, Joseph Joachim, and the Search for a New Music Aesthetic in the 1850s

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Score Prefaces Munich, Mph

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Foreword for Daniel Morganstern, ed., Brahms Hungarian Dances Nos. 1 and 4 (New York: International Music Company, 2019)

 

“Preface for Score Edition/Vorwort für die Orchesterpartitur,” in Joseph Joachim, Scene der Marfa, Op. 14. Music MPH Publisher, Munich. 4000 words (English and German). Munich, Music MPH Publisher (2019)

 

“Preface for Score Edition/Vorwort für die Orchesterpartitur,” in Joseph Joachim, Ouvertüre zu einem Gozzi’schen Stück, Op. 8. Music MPH Publisher, Munich. (Spring 2017) 4000 words. (In English and German). (Mai 2017)

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“Preface for Score Edition/Vorwort für die Orchesterpartitur,” in Joseph Joachim, Violinkonzert in G Dur, WoO, Music MPH Publisher, Munich. (January 2016) 4000 words. (In English and German).

 

“Preface for Score Edition/Vorwort für die Orchesterpartitur,” in Joseph Joachim, Elegische Ouvertüre, “Dem Andenken des Dichters Heinrich von Kleist” Music MPH Publisher, Munich. (January 2016) 4000 words. (In English and German).

 

“Preface for Score Edition/Vorwort für die Orchesterpartitur,” in Joseph Joachim, Variationen, Music MPH Publisher, Munich. (April 2016) 4000 words. (In English and German).

 

 

Score Reviews Bärenreiter

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Brahms’s three Violin Sonatas and Scherzo from the F. A. E. Sonata; and Performance Practices in Brahms’ Chamber Music by Clive Brown, Neal Peres Da Costa, and Kate Bennett Wadsworth Kassel, Bärenreiter, 2015, for Nineteenth- Century Music Review (April 2019)

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Paganini, Niccolò, 24 Capricci per Violino Solo Op. 1 (first edition), Daniela Macchione, ed., Kassel, 2013, for Nineteenth-Century Music Review 13, No. 4 (December 2016).

 

Schubert, Franz, Rondo in A Major D 438, Michael Kube, ed., Kassel, 2011, for Nineteenth-Century Music Review 12, No. 2 (2015).

 

Beethoven, Ludwig van, Concerto in C major, for Pianoforte, Violin, Violoncello and Orchestra “Triple Concerto”, Op. 56, Bärenreiter Urtext, Jonathan Del Mar, ed., Kassel, 2012, for Nineteenth-Century Music Review 10, No. 1 (2013), 201-206.

 

Brahms, Johannes, Concerto in D major for Violin and Orchestra, Op. 77, Bärenreiter Urtext, Clive Brown, ed., Kassel, 2012; Tschaikowsky, Pjotr Iljitsch, Violin Concerto in D major, Op. 35, Breitkopf & Härtel Urtext, Ernst Herttrich, ed., Munich and Wiesbaden, 2011,

Nineteenth-Century Music Review 9, No. 2 (December 2012), 390-395.

 

Brahms, Johannes, Sextet in B-flat major, for 2 Violins, 2 Violas and 2 Violoncellos, Op. 18, Bärenreiter Urtext, Christopher Hogwood, ed., Kassel, 2011; Brahms, Johannes, Sextet in G major, for 2 Violins, 2 Violas and 2 Violoncellos, Op. 36, Bärenreiter Urtext, Christopher Hogwood, ed., Kassel, 2011, for

Nineteenth-Century Music Review 9, No. 1 (2012): 163-167.

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